The M Zuiko Digital 14-150mm F4 is Olympus 4th lens for its Pen sequence digital cameras, and the first to go to the telephoto area. Its 10.7x zoom capability rate locations it strongly in ‘superzoom’ area, protecting a very useful 28-300mm comparative variety, and making it suitable for common objective ‘walkaround’ or journey use. (Indeed Olympus says that with it on your digital camera ‘you will never skip a picture opportunity’.
Like all superzooms the 14-150mm uses a complicated visual system, with 15 components in 11 categories such as 3 aspheric components (one of which is made from ED glass) to appropriate aberrations. But in contrast to others, it’s a pretty light and portable lens, showing the machines at less than 10 oz. It’s relatively small too Olympus features that the quantity has been decreased by 35% in comparison to its comparable DSLR lens keeping the Pen series’ concentrate on mobility. The auto-focus program has been meant to fulfill the requirements of film capturing, and utilizes just two lens components for concentrating which guarantees fast, quiet AF.
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- 28-300mm comparative zoom capability range; F4-5.6 highest possible aperture
- Compact design
- High rate inner concentrate system
- Micro Four Thirds install for Olympus and Panasonic cameras
Olympus Zuiko Digital ED 14-150mm F4 Body And Design
When viewed in terms of the body of the lens Olympus Zuiko Digital ED 14-150mm does have a long zoom size.The 14-150mm is a long thin lens, and very lightweight for its kind due to the extensive use of plastic materials in its construction. On one level this is the best thing – the Pen system is all about light-weight and mobility – but it does mean that this superzoom doesn’t quite feel like a $600 lens. The top side expands substantially on cruising to 150mm, increasing the overall length by 70%, so obviously there’s a little within the gun barrel at this point.
The style could hardly be simpler – the gun barrel is covered with the extensive zoom capability band, which is somewhat firm operating but stays strongly where you put it. At the front side of this is the thin manual concentrate band, which turns nice and efficiently, and behind is a thin silver-accented hold for holding the lens when taking it on or off you. At the front side side is a bayonet install for the not compulsory LH-61C lens bonnet, and that’s your lot.
Lens body elements
- The lens features the Micro Four Thirds install, currently compatible with cameras from Olympus and Panasonic. Communication with you is all-electronic, via the gold-plated contacts. The shaped grips on the thin gold band nearby to the install aid in increasing and dismounting the lens.
- The filter line is 58mm, and does not move on autofocusing, which is helpful for professional photographers who like to use polarizers or fairly neutral density gradients.
- The not so great information is that the lens bonnet is an optionally available extra, but what’s promising is that many Olympus SLR owners will already have it. The 14-150mm shares the LH-61C bonnet with the ZD 14-42mm Four Thirds kit lens. It’s a petal-type, bayonet-mount style that’s fairly solidly-made from black nasty and turns around nicely for storage. We found it a rather loose fit though, coming off the lens too easily.
- The ridged nasty hold on the zoom capability band is 26mm extensive, and sleek but somewhat firm intended for. It moves 70 degrees anti-clockwise between the 14 and 150mm roles, with advanced marks at 25, 40, 70 and 100mm. The lens expands about 6cm on cruising, and obviously the gun barrel has a small degree of perform at maximum extension.
- The concentrate band is just 7mm extensive, and while its activity is perfectly sleek, it gives no responsive reviews at all during function due to the ‘focus-by-wire’ style.
Olympus Zuiko Digital ED 14-150mm F4 Test Results
The 14-150mm places in a pretty common efficiency for a superzoom in our studio room assessments. It’s at its the most fragile at the extreme conditions of the zoom capability, but during the variety it does very well indeed. As regular on Small Four Thirds, distortions is low due to being fixed in instantly application. Overall the lens’s features are extremely identical to the Panasonic Lumix G Vario HD 14-140mm F4-5.6; indeed the only easily recognizable distinction is likely to be absence of color fringing when using the Panasonic lens on a Panasonic whole body (due to application modification of horizontal CA). Wideangle efficiency is a little poor, though, in comparison to either the Olympus or Panasonic Small Four Thirds kit contacts.
Typically for a superzoom, sharpness outcomes are remarkably combined. At 14mm, sharpness is great in the middle of the structure, but the sides are rather smooth. In the middle of the zoom capability variety (25mm – 45mm) factors get better, with sharpness great across most of the structure. As we’ve come can be expected, though, the efficiency reduces after this, with relatively smooth outcomes at the lengthy end, especially towards the sides. Usually for the Four Thirds structure, the best possible apertures are usually around F5.6 – F8.
Lateral chromatic aberration is rather great at both extreme conditions of the zoom capability variety, but much better in the middle. At the extensive end it improves on avoiding down, providing wide red/cyan fringing towards the sides of the structure. It reduces to respectably lower stages around 25mm – 45mm, before improving again at the telephoto end; here it’s most noticeable begin up and reduces on avoiding down.
The calculated lowest concentrate range is a little less than 46cm (in guide concentrate mode) – a feeling nearer than Olympus’s promoted 50cm – giving a working range of 29cm from the top side of the lens to the topic. Highest possible zoom is about 0.25x. Image top quality is excellent – the whole structure is a little sleek open up, but enhances up well on avoiding down to F8 (although our example reveals some asymmetry with the right side of the structure a little soft). Distortions is little, but there’s a little red/cyan chromatic aberration.
The 14-150mm is usually excellent at working with surface, and we saw few problems even when capturing in shiny light without the bonnet. Directing you straight into the sun at wideangle is accepted nearly as effective as – there’s some local reduction of comparison, but relatively little in the way of angled surface identify styles. Shooting at the lengthy end of the focus highly backlit circumstances (such that the sun is impinging close to the top side element), there’s some reduction of comparison but nothing critical.
One truly suitable, but difficult to evaluate component of a lens’s efficiency is the ability to provide efficiently blurry out-of-focus areas when trying to separate a topic from the, usually when using an extended central duration and large aperture. While the 14-150mm by its very characteristics can’t provide quite as blurry background scenes as superzooms for bigger indicator systems, it makes up for this by offering renditions which can be very attractive, with sleek changes to out-of-focus areas.
Not particularly an picture top quality issue of the lens itself, but certainly one together with you body, is following their every move of the built-in display at wideangle. Here the small types of the Small Four Thirds cameras bring something of an obstacle – the quick flashes don’t raise all that far clear of the lens axis. The 14-150mm therefore gives recognizable covering on all Small Four Thirds systems to date.
Below we show the level of the problem, capturing an empty walls from about 2 metres. The lens molds a darkness on the lower right of the structure when used on the Olympus E-PL1; you have to zoom capability to 22mm to make this vanish completely (similar results are seen using the Panasonic GF1). Things are better on Panasonic’s SLR-style systems such as the G1 – there’s a feeling of following their every move at the base of the structure, but in this case it goes away at 18mm.
Olympus Zuiko Digital ED 14-150mm F4 Specifications
|Price||• US: $600
• UK: £630
|Date introduced||February 2010|
|Maximum format size||Micro Four Thirds|
|35mm equivalent focal length||28-300mm|
|Diagonal Angle of view||75º – 8.2º|
|Lens Construction||• 15 elements / 11 groups
• 2 ED glass elements
• 3 aspherical elements (1 is ED glass)
|Number of diaphragm blades||7, rounded|
|Maximum magnification||0.24x (0.48x 35mm equivalent)|
|AF motor type||Micro Motor|
|Image stabilization||via camera body where available|
|Filter thread||• 58mm
• Does not rotate on focus
|Supplied accessories*||• Front and rear caps|
|Optional accessories||• LH-61C Lens Hood|
|Weight||280 g (9.9 oz)|
|Dimensions||63.5 mm diameter x 83 mm length
(2.5 x 3.3 in)
|Lens Mount||Micro Four Thirds|