The Leica X1 has clearly been developed as an device for taking pictures, genuine and simple, and comes with a pared-down, traditionalist design in service of that objective. Shutter rate and aperture are managed by calls on the top dish, and all other significant capturing configurations are straight available from control buttons on the back. This is a design that absolutely denies fripperies in the search for simple functionality; if you’re after a fish tank method, HD films or songs for your glide reveals, you’ll need to look elsewhere.
Of course the X1 is still a Leica, and so will not in any respect be inexpensive, which implies it’s going to have to provide some fairly powerful results to convince the less-emotionally motivated customer to hand over the wallet-slimming sum of money required to own one. So let’s take a close look to see what it can do, and find out whether it is successful in this objective.
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Leica X1 – Key Features
- Compact light and portable body with analogue-style control dials
- Fixed 24mm F2.8 lens (angle of perspective equal to Negatives lens on complete frame)
- Program, Shutter concern, Aperture concern, Guide visibility modes
- Full range of manual controls
- 12.2 Mp APS-C CMOS sensor
- ISO 100-3200
- DNG raw structure recording
Leica X1 Body And Design
The X1 is an fascinating, and generally effective attempt to apply vintage design to what at heart is a modern lightweight digital camera. There’s more than a sign of Leica M to it, with its two-tone complete, curved ends, and analogue-style management calls and drive method change on the top plate; even the band lugs and associated with anti-brassing dishes are duplicated over. The back structure is the identical too, and has control buttons to access straight all the most common capturing manages. Overall this implies that the X1 is an uncommonly consistent management structure for what is notionally a first-generation product.
The great information is that despite the digital camera’s relatively light-weight, a large slice of that popular Leica construction seems to have found its way to the X1 too. It seems extremely well put together, and the shutter rate and aperture calls function with positive click prevents. Overall this is a digital camera that doesn’t just look excellent, it seamless comfort to hold and use too.
The X1 sports a set lens, which is specific as an Elmarit 24mm F2.8 Aspherical and has a lowest concentrate range of 30cm (in information and AF macro ways – it’s restricted to 60cm in traditional AF method to accelerate focusing). It gives an position of viewpoint comparative to a Negatives lens on full-frame, becoming a traditional semi-wide position viewpoint.
Battery / Cards Section & Battery
The X1 operates off a blocky lithium ion battery power package known as the BP-DC8. It’s ranked for 230 exposures, which is approximately on a par with the Sigma DP2, and takes about three hours to charge completely. Like most small cameras these days, the X1 allows the popular SD storage structure (including greater potential SDHC variety). The credit card and battery power discuss a compartment under a entrance on the platform of you, which comes with a neatly-styled securing handle.
There are two relationships on the the left side of you (viewed from the rear), nestled away behind a positively-sprung nasty entrance. At the top is an ordinary mini-USB outlet to plug you to your computer, and below that is an HDMI slot so you can viewpoint your pictures on your HDTV.
Base / Tripod Mount
The X1 has a metallic tripod line, which is placed approximately in the center of the platform dish. This signifies that it’s not arranged with the lens axis, and because it’s right next to the compartment entrance, you can forget about modifying battery power or SD card when you is on a tripod. To be reasonable this is probably not a major issue on this type of digital camera.
The top of you performs wide range to a traditional hot-shoe, just like that on the M8, M8.2 and M9. It will agree to the same range of devoted quick flashes, such as the lightweight SF 24D. The shoes is arranged centrally over the lens axis, which allows equipment visual viewfinders to be used with lowest parallax mistake.
One of the X1’s sweetest design functions is the little round pop-up display, which is managed using excellent old-fashioned hand power (push down to launch, force down into the body again to retract). There’s an amazing array of ways available, such as red-eye decrease, pressured display and slow-sync – you can even choose whether the display shoots at the start or end of a long visibility. The Guide Number is just 5, rather than the 12 or 13 we’re used to seeing on entry-level DSLRs, but it should do the job for social pictures and fill-flash (and is a lot better than nothing).
Leica X1 Images Quality
The X1 is most definitely not going to be the first-choice digicam for macro reasons. Its lowest concentrate range is a relatively lengthy 30cm, and with its semi-wideangle lens, this gives a lowest picture region of about 10.5″ x 7″ (27 cm x 18 cm). This is can be somewhat restricting in realistic use – ignore impressive closeups, they’re really not going to occur.
The X1 has no smart way for connection of a lens bonnet (as there’s no narrow line on the lens barrel), so its surface stage of resistance is actually essential. And on the whole it does OK, but there are certain circumstances under which it’s vulnerable to displaying issues, and you need to look out for.
Place the sun in a region of the structure and you’ll see surface styles which become more described on avoiding down – it’s probably best to prevent the actual apertures (F11 – F16). There’s also a particular position to the sun (about 45 degrees) at which the mild impinging on the top side factor gives increase to powerful lines of surface – of course if you’re capturing with the LCD you can often identify this, and protect the lens with your side.
The X1 reveals a average stage of horizontal chromatic aberration in our studio room assessments, by means of fringing that is mainly red/cyan colored. Thankfully that this is bound instantly in the JPEG files; the bad information, though, is that in many circumstances where CA would be most noticeable, those JPEGs display extreme violet fringing instead.
Switch to capturing raw, though, and Lightroom will do a much better job of eliminating violet fringing, and we discovered that establishing the ‘Fix Red / Cyan fringe’ to -20 in the Lens Improvements tab successfully eliminated the most severe of the CA too (with ‘Defringe Highlights’ completing things off when necessary). The illustrations below display this in activity on several of common real-world shots:
The X1’s set 24mm F2.8 lens signifies that it usually provides plenty of detail of place, but if you capture at near ranges with the lens start up you can perform quite excellent separating of topic and qualifications. And in these instances, the version of the out-of-focus qualifications scenes is on the whole very eye-catching, with no shiny border to out-of-focus features. A little bokeh chromatic aberration can be seen, as green/magenta fringing around out-of-focus high comparison sides, but on the whole it’s unlikely to mess up your pictures.
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Leica X1 Specifications
|Price (to be confirmed)||• US: $2000
• UK: ca. £1300
|Sensor||• 23.6 x 15.8 mm CMOS sensor
• APS-C size
• 13 million total pixels
• 12.2 million effective pixels
|Lens||• Leica Elmarit 24 mm F2.8
• 8 elements in 6 groups, 1 aspheric lens
• 35 mm equiv. FOV
|Focusing distance||• Normal: 60 cm – Infinity
• Macro / Manual: 30 cm – Infinity
|AF type||• Contrast detect|
|AF modes||• 1-point
• 1-point high speed
• 11-point high speed
• Face detection
|AF assist lamp||Yes|
|Exposure modes||• Program automatic
• Aperture priority
• Shutter priority
|Exposure compensation||• +/- 3.0 EV
• 1/3 EV steps
|Exposure bracketing||• 3 frames
• +/- 3.0 EV
• 1/3 EV steps
|Metering||• Intelligent multiple
• Center weighted
|Sensitivity||• Auto ISO
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200
|Shutter speed range||30 – 1/2000 sec|
|Aperture range||F2.8 – F16|
|White balance||• Auto
• Manual 1
• Manual 2
|White balance fine tuning||Two axis|
|File formats||• JPEG
|Image sizes||• 4272 x 2856 (12.2 MP)
• 3264 x 2160 (7.0 MP)
• 2144 x 1424 (3.0 MP)
• 1632 x 1080 (1.8 MP)
|Image modes||• JPEG Super fine
• JPEG Fine
• DNG + JPEG Super fine
• DNG + JPEG Fine
|Self timer||• 2 sec
• 12 sec
|Continuous shooting||• 3 / 2 fps
• 6 images max (JPEG Fine + DNG)
|Auto review||• 1 sec
• 3 sec
• 5 sec
|Film modes||• Standard
• B&W Natural
• B&W High contrast