Olympus OM-D E-M5 II Specification Review

Olympus OM-D E-M5 II is, like its precursor, a little, eye-catching and useful 16MP electronic camera. Actually originally it looks relatively the same. The most obvious developments are its more complicated movie capabilities and a sensible multi-shot 40MP technique, but you have to look a bit more properly to see how much execute Olympus has put into this new design. How do you conform to up a classic? A little a more time time is going to have to actually successfully pass before the E-M5 can truly use that part but I have certainly that that’s the question Olympus’s specialists and product planners have been asking themselves.

Olympus OM-D E-M5 II Review
Olympus OM-D E-M5 II Review

Sure enough, the E-M5 II does not encounter like as big a progression as its precursor was. But how could it be? Digital cameras such as the Sony’s a6000 and a7, and Samsung’s NX1 have increased the expected level of capability so far that it would be a challenge for any new design to indicate as much of a cutting-edge. However, Olympus has probably done as much as it can to go aspects forward. Without availability an increased pixel-count signal, it’s not obvious what else Olympus could have in addition to the Mark II.

Olympus E-M5 II Key Features

  • 16MP Four Thirds CMOS sensor
  • 40 MP multi-exposure mode
  • 1080/60p capturing and 1080/30p at up to 77Mbps (All-I)
  • 10fps continuous capturing, 5fps with AF
  • 1/8000th sec maximum possible shutter amount (1/16000th with electronic shutter)
  • Built-in Wi-Fi
  • Clip-on rotating, bounceable flash

Olympus E-M5 II Body And Design

Olympus has tried difficult not to mess up the E-M5’s excellent looks with this upgrade and has usually done a excellent job of including to you without damaging its attraction. If anything, eliminating the equipment slot from above the viewfinder allows to increase the digital camera’s figure. We consider even photography lovers too younger to have ever taken with a Nineteen-eighties OM will appreciate the digital camera’s looks.

Olympus OM-D E-M5 II Body And Design
Olympus OM-D E-M5 II Body And Design

The Mark II development is some of the best we’ve experienced outside the pro DSLR sphere: progress over the unique OM-D. Whereas the E-M5 had a metallic spend and comprehensive closing, the II seems like it’s been made from one group of steel. It’s only the plasticky control buttons on the rear and the slightly-too-freely spinning front side control switch that take away from this feeling of stability. Thankfully that, while the control buttons don’t experience quite as resilient as those of pro-grade DSLR, they’re much more sensitive than the E-M5’s a little bit soft, long-press illustrations.

Olympus E-M5 II Images Quality

Film features

Like most manufacturers adding movie functions, Olympus has included an odd combination of beginner-friendly functions with others that seem more appropriate for someone who’s really going to work hard over their movie. The most obvious video-friendly improvements are the addition of a flip-out screen and an improved form of the organization’s 5-axis picture stabilizing.

Olympus OM-D E-M5 II 14mm ISO 200
Olympus OM-D E-M5 II 14mm ISO 200

The organization told us it understands 4K movie is the future, but considers that the E-M5 II’s attraction will control from how easy it is to catch high quality 1080 movie if you have efficient picture stabilizing, and recommended it has starter videographers in mind. Yet you also offers time code, which we’d usually accompany more advance, multi-camera launches, but doesn’t offer any flat picture information for customers planning on post handling their movie.

Movie stabilization

The thing that’s most satisfied us about the E-M5 II stabilizing is how capable it is during movie capturing. As you can see on the first page of this review, we were able to generate videos that intercuts between portable and tripod-mounted movie without any significant change in balance. The only significantly shaken movie came from taping you to a hill biker’s chest area (something we didn’t seriously expect to generate useful results).

In the actual world

We’ve been very stunned at the way you acts in the actual life. We were able to catch a short movie with comprehensive use of in-body stabilizing (including segments shot with a 300mm comparative lens), and get entirely useful outcomes. To a large degree this capability matters much more to us than the reflection of the very best details.

Olympus OM-D E-M5 II Iamges Quality 14mm ISO 200
Olympus OM-D E-M5 II Iamges Quality 14mm ISO 200

Autofocus is bogged down down during movie catch, to prevent unexpected leaps during documenting. Obviously of this is that it indicates you can’t maintain concentrate on fast-moving topic during movie – it can keep track of where they are quite effectively but the slowed-down concentrate indicates it’s not able to find concentrate before the topic has shifted. However, the main concentrate does work reasonably well if you’re trying to push you to re-focus between basically fixed topics. On the other hand, the digital camera’s concentrate peaking is pretty efficient at assisting customers personally re-focusing.

Great Res Picture Mode

Probably the E-M5 II’s most significant technique is its multi-shot Great Res photo method. This uses the digital camera’s stabilizing system to move the indicator a little bit between each visibility, significance you effectively ‘scan’ the field at higher quality. It’s something we’ve seen method structure creators do in the past, but this is initially we’ve seen a mass-market item offer such a method. Because you develops up the final image from eight individual exposures, it can’t really be used for moving topics. Instead, Olympus indicates its use for item photography and, at a force, scenery work. The method offers two wait options: one that contributes a stop before the first contact with let you settle, and a second that contributes a wait between each taken, to give your strobes a chance to reuse.

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Olympus E-M5 II Specifications

MSRP $1099 (body only)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Max resolution 4608 x 3456
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 16 megapixels
Sensor photo detectors 17 megapixels
Sensor size Four Thirds (17.3 x 13 mm)
Sensor size notes High resolution mode produces Raw images at 9216 x 6912 or JPEGs at 7296 x 5472.
Sensor type CMOS
Processor TruePic VII
Color space sRGB, AdobeRGB
Color filter array Primary color filter
ISO Auto, 200-25600, expands to 100-25600
Boosted ISO (minimum) 100
White balance presets 7
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis
Uncompressed format RAW
JPEG quality levels Superfine, fine, normal, basic
File format
  • JPEG (Exif v2.3)
  • Raw (Olympus ORF format)
  • MPO (3D)
Optics & Focus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 81
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,037,000
Touch screen Yes
Screen type TFT-LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.48×
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • iAuto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
  • Bulb
  • Time
Scene modes
  • Portrait
  • e-Portrait
  • Landscape
  • Landscape + Portrait
  • Sport
  • Hand-held Starlight
  • Night scene
  • Night + Portrait
  • Children
  • High Key
  • Low Key
  • DIS mode
  • Macro
  • Nature Macro
  • Candle
  • Sunset
  • Documents
  • Panorama
  • Fireworks
  • Beach & Snow
  • Fisheye Conv.
  • Wide Conv.
  • Macro Conv.
  • Panning
  • 3D
Built-in flash No (Compact external flash included)
External flash Yes (via hotshoe)
Flash modes Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Sequential (hi/lo)
  • Self-timer
Continuous drive 10.0 fps
Self-timer Yes (2 or 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV, 1 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes (+/- 7 stops in each A-B/G-M axis)
Videography features
Resolutions 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p)
Format MPEG-4, H.264, Motion JPEG
Videography notes Supports ALL-I and IBP recording modes
Microphone Stereo
Speaker Mono
Storage types SD/SDHC/SDXC
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (wired and via smartphone)
Environmentally sealed Yes
Battery Battery Pack
Battery description BLN-1 lithium-ion battery & charger
Battery Life (CIPA) 310
Weight (inc. batteries) 469 g (1.03 lb / 16.54 oz)
Dimensions 124 x 85 x 45 mm (4.88 x 3.35 x 1.77)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None