Fujifilm X-T2 Features, Images Quality And Specification Review

The Fujifilm X-T2 is an latest form of the organization’s top-level DSLR-shaped APS-C digicam. It’s designed around the same 24MP X-Trans indicator as the X-Pro2 but winds up being much more than an X-T1 with more p. Instead, the X-T2 is a digicam that does much to deal with the X-System’s staying weak factors, which can only extend its already significant attraction.

Fujifilm X-T2 Review
Fujifilm X-T2 Review

The digital camera’s high cost, in contrast to its forerunner places it up against some extremely able competitors, from the less costly a6300, with its identical indicator and strong AF monitoring to The canon eos fantastic EOS 7D Indicate II and the greatly amazing Nikon D500.

Key Features

  • 24MP X-Trans CMOS III sensor325 AF factors (169 of that provide stage detection)
  • AF factor choice joystic
  • 2.36M-dot OLED EVF with 0.005 sec renew time (60 fps or 100 fps in increase mode)
  • 3″ 1.04M-dot describing LCD
  • 4K UHD movie at up to 30 fps for up to 10 min (30 min with enhancer grip)
  • F-Log smooth information and 4K out over HDMI
  • 8 fps ongoing capturing with AF (11 fps with enhancer grip)
  • 5 fps ongoing capturing with stay perspective up-dates between capture
  • 14 fps ongoing capturing with digital shutter
  • Dual SD cards spots (UHS-II compatible)
  • USB 3.0 socket

Fujifilm X-T2 Body and Design

The X-T2’s body system seems to be very identical to that of the X-T1 – it’s still got that ’80s SLR style to it, and is still decorated with immediate management calls for shutter rate, ISO and visibility settlement. In inclusion there are two (now clickable) management calls, front side and back. Despite the obvious resemblances, the X-T2’s human is a portion higher and the hold is a portion further. The variations are simple though, such that the most important hint about which design you’re looking at is the inclusion of an AF factor joystick on the rear of you and the threads for a wire distant launch in the shutter key. And, although the requirements of the viewfinder board are the same as for the X-T1, the X-T2 can generate it quicker, providing a more sensitive upgrade. By standard it operates at 60fps (up from the 55fps of the T1) but can be improved to 100fps by interesting ‘Performance Boost’ method.

Fujifilm X-T2 Features

Autofocus

Part and package of that 24MP indicator are the 169 phase-detection factors that we saw in a main rectangle place of the indicator on the X-Pro2. Beyond this, the X-T2 now benefits an additional two content of 13 contrast-detection AF factors down each section of the structure, increasing its AF place and providing it to a complete of 325 AF factors in complete.

Fujifilm also guarantees a better processer and improved methods, along with quicker indicator read-out, to enhance the digital camera’s rate, regardless of whether it’s using a mixture of stage recognition and comparison recognition (Hybrid AF), or simply the latter alone.

To get the best-possible efficiency out of the recently enhanced AF program, the X-T2 presents a use case-based AF-C installation program. Much like the one we’ve seen on high-end Cannon DSLRs, this allows you specify the kinds of activity you’re anticipating from your topic, so that you can try to react properly.

Key customization

With the joystick on the digital camera’s back now taking the role of choosing AF factor, the four way operator is left as four personalized function control buttons (though the firmware on you we have still lets you alter that to AF factor control if you absolutely have to reproduce that X-T1 experience). There are Fn control buttons on the top and front dishes, and the features assignable to the AE-L and AF-L control buttons can be modified.

Key customization
Key customization

AF customization

One of the most popular changes to the X-T2 is incorporating three factors for specifying the type of movement you should expect, for marketing of item monitoring. To make simpler the installation of you, there are five predetermined mixtures of these factors, designed to signify specific use-cases.

Boost mode

The digital camera’s Improve method is the standard establishing for the down pointer on the four-way operator. It accelerates the digital camera’s auto-focus (which Fujifilm actions as reducing focus time from 0.08 sec to 0.06) and improves the renew amount of the electronic viewfinder from 60fps to 100fps. This modification of viewfinder method also decreases incorrect color in the display.

With battery power hold connected, the Improve method benefits further benefits: reduced period between photos, a decrease in shutter lag, reduced viewfinder darkening and, most considerably, a rise in highest possible capturing amount from 8fps to 11fps.

Auto ISO

Like the X-Pro2, the X-T2 offers three Automatic ISO configurations, each of which allows you to determine a lowest and highest possible ISO establishing, along with a shutter amount limit at which you should increase ISO. There are no options to link this limit to the current central length so this system works better for primary contacts than for zooms, if you’re trying to avoid hand tremble. For preventing subject movement cloud though, it’s completely sufficient – just set the lowest shutter amount beyond which you should opt to enhance ISO as instead of extending visibility length.

Fujifilm X-T2 Images Quality

Auto-focus (and its setup)

We had combined emotions in the office about the new (rather Canon-esque) autofocus settings program. Normally we choose techniques that adjust to a wide range of circumstances with little settings (though even Nikon’s standard AF program is getting complexness in latest models).

If it shows easy to choose the appropriate predetermined and they end up providing great results, then it could be really excellent. Even the best AF techniques can take advantage of a level of customer feedback about the type of movement they’re looking to experience, and this more information could be what it takes to take Fujifilm’s concentrate efficiency to a new level.

Fujifilm X-T2 Images Quality Fujifilm XF 50-140mm F2.8 @ 140mm | ISO 640 | F2.8 | 1/2000 sec
Fujifilm X-T2 Images Quality Fujifilm XF 50-140mm F2.8 @ 140mm | ISO 640 | F2.8 | 1/2000 sec

Raw

The move to 24MP recognizes the X-T2 able to catch more details than its 16MP forerunner, and other alike stages of black and white details to its 24MP Bayer colleagues. The X-Trans shade narrow design defends you from the aliasing that we see in the Sony models a6300 when capturing high comparison, information with a distinct lens. However, minor glitchy aliasing in excellent shade details suggest it’s not a panacea: shade details catch seems to be the cost you pay.

The X-T2’s disturbance performance is excellent. Almost too excellent. In comparison to the a6300 which uses a quite identical indicator, you can see identical luminance disturbance stages but ‘abnormal’ amounts of chroma disturbance – indicating it’s being covered up somewhere along the line. Still, this has little impact on the level of details being maintained, so shouldn’t present any problems.

This doesn’t cover up the fact that full structure cameras such as the similarly-priced Pentax K-1 will tend to outshine the X-T2 in low light. The disturbance stages may appear identical but the larger indicator digicam is maintaining much greater stages of details.

JPEG

Fujifilm’s JPEGs remain amongst our most favorite, with a choice of simple and likeable shade ways that can be selected to match the subject of each photo. The standard ‘Provia/Standard’ method is fairly just like the Nikon D500, with in the same way heated veggies and yellow-colored, but a chilly red. In comparison to the much well known Cannon shade reaction, the X-T2 shows more yellow-colored yellow, hotter more soaked veggies and, again, a chilly red. Attraction of shade is very subjective, but we’re comfortable revealing that we’re lovers of heated veggies and yellow-colored, where the Fuji performs exceptionally well, but Cannon whites are still unequalled.

Fujifilm X-T2 Images Quality Fujifilm XF 56mm F1.2 R APD | ISO 200 | F1.2 | 1/8000 sec.
Fujifilm X-T2 Images Quality Fujifilm XF 56mm F1.2 R APD | ISO 200 | F1.2 | 1/8000 sec.

Fujifilm X-T2 video

As we’ve already protected, the X-T2 benefits a mic outlet and can catch up to around 15 moments of 4K movie clips. Add the not compulsory ‘Power Enhancer Grip’ and it time reaches around 30 moments (which we’re taking to mean 29:59). Having three battery power considerably expands it length between expenses and the hold also contributes a earphone outlet for sound tracking.

 The X-T2 offers the best video yet from a Fujifilm camera and gains a mic input. Add the battery grip and it extends your maximum recording time and adds a headphone socket for audio monitoring.
The X-T2 offers the best video yet from a Fujifilm camera and gains a mic input. Add the battery grip and it extends your maximum recording time and adds a headphone socket for audio monitoring.

The X-T2 makes its 4K movie from a 1.17x plants of the indicator (so 1.725x, comparative to complete structure, if you’re trying to think in conditions of comparative central lengths). This is a 5120 x 2880 pixel area, significance that it’s oversampling by 1.33x along each axis. This is a long way lacking the 2x oversampling required for ideal UHD catch, but should mean less moiré and less relics than immediate 1:1 testing.

Limitations

However, there are two significant caveats to this positivity. Fujifilm particularly prioritized picture quality over AF efficiency with its beginning contacts (particularly the wide-aperture primes) and these simply can’t shift their concentrate components quick enough to make X-T2’s abilities. As such, you’ll only see the digital camera’s full efficiency with a choose sub-set of the system’s contacts. As well as unable to redouble easily enough to keep up with topic activity towards or away from you, more slowly concentrating contacts also wait the preliminary ‘lock,’ making topic monitoring method almost useless.

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Fujifilm X-T2 Specifications

Price
MSRP $1599 (body only), $1899 (w/18-55mm)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2384, 3008 x 1688), 1:1 (4000 x 4000, 2832 x 2832, 2000 x 2000)
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.6 x 15.6 mm)
Sensor type CMOS
Processor X-Processor Pro2
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 200 -12800 (expands to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Fujifilm RAF, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 325
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen No
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.77×
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No (Small external flash included)
External flash Yes
Flash modes Auto, standard, slow sync, manual, commander
Flash X sync speed 1/250 sec
Continuous drive 14.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±2 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p)
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC (UHS II compatible)
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (via smartphone or wired remote)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-W126S lithium-ion battery & charger
Battery Life (CIPA) 340
Weight (inc. batteries) 507 g (1.12 lb / 17.88 oz)
Dimensions 133 x 92 x 49 mm (5.24 x 3.62 x 1.93)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None