2017 Sony a6500 Fiture and Specifiction Review

The Sony models a6500 is the company’s top-tier APS-C mirrorless design, a 24MP pictures and digicam with picture stabilizing. It rests above the similar-looking a6300 in Sony’s collection, including touchscreen display screen ability and stabilizing for lovers willing to dig a little further into their pouches.

Sony a6500
Sony a6500

Key Features

  • 24MP APS-C CMOS indicator with 425 stage recognition points
  • 2.36M-dot OLED EVF
  • Tilting back touchscreen
  • 5-axis in-body picture stabilization
  • 11 fps ongoing capturing for up to 300 JPEGs / 100 Raws
  • 1/4000 sec highest possible shutter speed

As should be obvious, many of its primary requirements are distributed with the a6300 itself a DPReview Silver successful digicam. The greatest variations are the touchscreen display screen, the picture stabilizing and a ‘Front End LSI’ (processing chip) to allow quicker and more complicated handling. There are also a few small modifications, such as the inclusion of a emphasize identify metering method.

The touch understanding of the back screen can be used for your choice of two things: as an touchscreen display screen for placement the main concentrate factor or leading to concentrate and shutter, or as a touch pad, when you takes place to your eye.

The included handling pizazz guarantees a more sensitive camera one that allows immediate picture evaluation even when capturing jolts of pictures. The a6500 also benefits a much-needed upgrade to Sony’s selection system, including color-coding to learn effectively to identify and remember different parts of recption menus.

Sony a6500 Fiatures

Picture Stabilization

The addition of image stabilizing is a accepted feature on this digicam. Surprisingly, the physical detail of you human is essentially the same compared to the mid-level a6300 (which has no IBIS). When Sony added IBIS to the a7 II line, the whole body grew a recognizable amount, in terms of detail, to make room for the activity of the indicator.

Menus

The a6500’s choices have been modified, with shade programming now included with each of the an eye, to help you to identify don’t forget where different choices stay within the selection framework.

In inclusion to the shade programming of the main segments of the selection, the two ‘camera’ an eye have been separated up into known as sub-sections, so while the choices now distribute across two an eye and 23 webpages, they’re sub-divided into segments such as ‘Quality/Image Size’, ‘AF’ and ‘Color/WB/Img. Handling.’

Sony a6500 Features
Sony a6500 Features

This change not only means better symptoms of the present place in the selection, it also has the advantage that the selection choices have been pressured into more sensible and consistent categories.

Touch Controls

Sony a6500 Features
Sony a6500 Features
Menu Option Available settings Description
Touch Operation
  • Touch Panel + Pad
  • Touch Panel Only
  • Touch Pad Only
  • Off
Is the rear panel touch sensitive for LCD shooting, EVF shooting, both or neither?
Touch Pad (vertical)
  • On
  • Off
Does touch pad work when shooting in port orientation?
Touch Pad Area Set.
  • Whole Screen
  • Right 1/2 Area
  • Right 1/4 Area (vertical stripe up the right-hand side of screen)
Which regions of the screen are active to initiate touch pad swiping. Once initiated, the whole screen is active as a touchpad, until you lift your finger.

Sony a6500 Images Quality

Our newest test field mimics both sunlight and low-light capturing. Pushing the ‘lighting’ control buttons at the top of the gadget changes between the two. The sunlight field is personally white healthy to give fairly neutral grays, but you is left in its Auto establishing for the low-light assessments. Raw information are personally fixed. We offer three different watching sizes: ‘Full’, ‘Print’, and ‘Comp’, with the latter two providing ‘normalized’ evaluations by using printed watching dimensions. The ‘Comp’ option selects the largest-available quality common to the cameras being in comparison.

Powerful Range

The a6500’s indicator seems to be to be able to catching a lot of dynamic variety. Lighten up a sequence of progressively black exposures and you’ll see it’s only a little more loud than the best of its APS-C colleagues, maintaining it a little before the relax. This indicates the indicator itself works very well.

ISO 1600, 1/800 sec at F2.2. Pushed +1.65 stops in Adobe Camera Raw. Photo By Azis Photography
ISO 1600, 1/800 sec at F2.2. Pushed +1.65 stops in Adobe Camera Raw. Photo By Azis Photography

Our ISO Invariance analyze demonstrates very little disturbance is being included by the indicator (an ISO 100 taken forced has a very identical stages of disturbance to an ISO 3200 picture, because most of the disturbance existing is taken noise). That means that, for the most part, you can save yourself (potentially prevents of) emphasize headroom by underexposing by maintaining ISO low – having visibility the same – and then precisely enhancing dark areas and midtones while defending features in publish.

Raw

In conditions of details catch, the a6500 is, obviously, similar to the a6300, which is to say that its excellent. 24MP APS-C is challenging enough on contacts that it’s become typical not to consist of an visual low successfully pass narrow. With the distinct lens we use for studio room examining, incorrect shade from moiré can be seen in high-contrast information.

JPEG

The a6500’s JPEG motor is all about details preservation, and it’s state of the art in this respect. Standard improving is competitive in a very attractive way, including plenty of focus to information. It’s so good you’re unlikely to do any better by improving the Raws yourself. Even the excellent styles in the banknote are presented without being at a loss for haloing (overshoot) around sides, significance the improving distance is well assessed. Relics in excellent natural (non-repeating) details, do appear from day to day, but usually it’s not a problem.

Autofocus

The Sony models a6500 uses the same multiple AF program as the mid-level Sony models a6300 and efficiency is similar. The touchscreen display screen create it a little easier to choose factors, though it is not nearly as sensitive as we’d expected. That said, the mixture of excellent AF program and strong shield create this a seriously attractive activities digicam. You can see more about real efficiency of the AF program in our in-depth assessments with the a6300, but we’ll provide a quick review of it below.

Autofocus performance is excellent. And the new LSI processor gives the a6500 a deep buffer. ISO 6400, 1/1000 sec at F2.8. Edited to taste in Adobe Camera Raw.
Autofocus performance is excellent. And the new LSI processor gives the a6500 a deep buffer. ISO 6400, 1/1000 sec at F2.8. Edited to taste in Adobe Camera Raw. Photo By Azis Photography

Movie AF

The comprehensive structure coverage of the phase-detect p, mixed with a touchscreen display screen should make for a powerful camera, especially if you desire or require auto-focus. Hitting on your subject in a Versatile Spot area method results in quick and major focus, and you may change the speed of the holder in 3 increments: Quick, Regular, Slowly. Quick tends to overshoot and is best prevented, but Regular and Slowly lead to very sleek refocusing.

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Sony a6500 Specifications

Price
MSRP $1400 (body only)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor Bionz X
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600 (expandable to 51200)
Boosted ISO (maximum) 51200
White balance presets 8
Image stabilization Sensor-shift
Image stabilization notes 5-axis
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit Sony ARW)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Lens mount Sony E
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 921,600
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • iAuto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash Yes
Flash range 6.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless
Flash X sync speed 1/160 sec
Drive modes
  • Single
  • Continuous (Hi+/Hi/Mid/Lo)
  • Self-timer
  • Bracketing
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes (3 frames, H/L selectable)
Videography features
Format MPEG-4, AVCHD, XAVC S
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 50i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 6 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 25p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 25p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 25p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 25p / 6 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC + Memory Stick Pro Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FW50
Battery Life (CIPA) 350
Weight (inc. batteries) 453 g (1.00 lb / 15.98 oz)
Dimensions 120 x 67 x 53 mm (4.72 x 2.64 x 2.09)
Other features
Orientation sensor Yes
GPS None