Canon EOS 30D – Lengthy anticipated. Canon first exposed the EOS-D30 at PMA this season (with a “tentative release of Drop 2000”), they then later made it formal and released complete requirements and we got our first practical with the D30, though at that level Canon were not relaxed enough with the picture top quality to allow examples to be released. In Aug we released a unique review content with the first huge set of examples available on the web.
So why is the D30 so special? Plenty of factors, it’s Canon’s eos first “home grown” electronic SLR, developed from the floor up to be searching for SLR, their past forays into electronic SLR globe, the EOS-D2000 and EOS-D6000 were combined projects with Kodak (Canon systems with Kodak internals), these digital cameras are also known as the DCS520 and DCS560.
The D30 comes completely packed, loaded with functions and performance you’d anticipate of a digital camera teetering on the advantage of dressed in a “Pro” logo (and probably more worthy than some of those that do), add to this the truth that Canon used a rounded football by using the first ever multi-megapixel CMOS indicator to be seen in a manufacturing digital camera and you can see why the EOS-D30 is critical.
Picture Dimension / Computer file High quality Options
The D30 provides a five different image / quality mixtures. You can capture at either 2160 x 1440 or 1440 x 960 at two JPEG features or in RAW (lossless) structure at 2160 x 1440. This may seem extremely simple, however it’s more than adequate for a digicam such as this, people will use JPEG FINE which (thankfully) uses a relatively low JPEG pressure. Enthusiasts will no question capture RAW information, however the fantastic for me is the period of time it requires to obtain each RAW image (over 30 seconds).
ISO (Sensitivity) Adjustment
The D30 has five ISO sensitivities: 100, 200, 400, 800 and 1600. It displays the simplest, disturbance 100 % free (“grain free”) pictures we’ve ever seen out of a digicam, at ISO 100 and 200 they’re almost absolutely disturbance 100 % free. Above this we discovered that usually pictures experienced very little up to ISO 800, however there was recognizable disturbance at ISO 1600 (not bad for a “consumer quality electronic SLR”). Although I have not created an comprehensive research into the great ISO disturbance it does appear to be unique with no apparent “pattern” (easier to fresh up later).
Lengthy Visibility Disturbance Reduction
The D30 has a built-in noise decrease program which only becomes effective if allowed (custom operate 1) and if the exposure is more than one second. The following examples taken of the same low mild field were taken at the wide variety of breathing difficulties first with noise decrease turned off then with noise decrease allowed. A relatively excellent assessment of “Long exposure vs. Great ISO”.
The D30 functions up to three “sets” of Camera factors which management the cameras picture handling methods. Each set can be made up of any mixture of a -1,0,+1 (Low, Regular High) value for Comparison, Improving and Color Vividness. Automatically you uses a “Standard” set which has fairly neutral (0) configurations for each parameter, using the offered TWAIN car owner you can add up to three other places (this is the ONLY way to modify these parameters). Below we’ve offered a set of examples using different parameter configurations. Camera configurations were: ISO 100, Aperture Concern, F8.0, 1 second visibility (remotely fired), Automatic White-colored Stability, 28 – 70 mm F2.8 L lens.
Canon EOS 30D Images Quality
Quiet “grain free” images
The first factor that attacks you about the D30’s pictures is their exclusive absence of any disturbance (obviously some becomes obvious at greater ISO’s but still impressive), zoom capability in as far as you like, all you’ll discover are sleek gradients and distinct information. The next step you’ll observe is a absence of any type of improving artifacts; rough collections or dark / white-colored halo’s, that’s because the D30 has very little inner improving (or if any it’s very mild), which makes these wonderful fresh pictures, so noiseless actually that in this regard I can’t really discover another digicam to evaluate to the D30.
Overall the D30’s color version was very precise, white-colored stability was often hard to deceive (although it’s always sound exercise to use a predetermined where possible, to avoid “white stability drift”). The D30 features three color configurations (examined previously in this review) at the standard “Normal” establishing colors are fairly neutral and suitable for publishing, the “High” establishing generating the most attractive colors on a regular observe (for the web) strong color without over vividness or loss of details.
Quality & Sharpness
It’s misleading, you’d think by looking at the D30’s pictures that Cannon are doing a great gift to “clean” the pictures (I’m not referring to disturbance decrease which only sneakers in for >1 second exposures), when you get in near to a D30 picture it looks so fresh that you’re sure some details must have been missing to generate such sleek gradients. The second factor that would improve this sensation is the comparative deficiency of inner improving used, this minimizes any improving relics but can keep the pictures looking smooth to the inexperienced eye.
However, I’m grateful to claim that the D30 (3.1 megapixel) displays more resolution than Nikon’s D1 (to be predicted at just 2.74 megapixels) and more than our present to choose of the high end compact electronic cameras, the Nikon Coolpix 990 (3.1 megapixel), as you’ll see when we evaluate resolution maps later in this evaluation.
Dynamic variety basically describes the variety of mild you is able to catch before it either drops details in night (shadows for example) or strikes out a emphasize (edges of chromed materials are cases of this). Most customer digital cameras only have a 8-bit analogue to electronic converters, plus their CCD’s are not designed to have a particularly huge dynamic variety. The D30’s CMOS indicator has a 12-bit analogue to electronic ripper.
Metering was excellent, you have the choice of three different metering ways, The canon eos “Evaluative metering” created very identical outcomes to Matrix metering seen on other digital cameras, I came across you did have an inclination to over reveal, because of the amount of darkness details taken by the D30 it was not an issue to merely switch in a -0.3EV settlement to relieve this (something I’d suggest doing if you’re capturing in shiny sunlight).
Great ISO comparison
Early adopters of the D1 were frustrated to discover very powerful design disturbance (a recurring angled or straight range pattern) across pictures at high ISO’s (sensitivities). The evaluations below evaluate the D30’s disturbance to the D1 at ISO 400, 800 and 1600.
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Canon EOS 30D Specification
|Price||US: US$2,990 – body only, exc. taxes
Europe: €2,800 – body only, exc. taxes
|Production numbers||8,000 per month|
|Format||Digital SLR (EOS series)|
|Imager / Sensor|
|Imager||Canon CMOS Sensor|
|Imager effective pixels||2,160 x 1,440 (3.11 million)|
|Imager total pixels||2,226 x 1,460 (3.25 million)|
|Imager size||22.0 x 14.9 mm|
|Imager output||12-bits per pixel|
|Imager filter||Primary (GRGB) colour filter array, non-removable low-pass filter|
|ISO speed range||Equiv. to ISO 100, 200, 400, 800, 1600|
|Lens compatilibity||Canon EF lenses|
|Focal length multiplier||1.6 x|
|Auto Focus||Multi-BASIS TTL|
|Focus points||3 point (auto or manually selectable)|
|Focus point selection||1. Automatic selection
2. Manual 1 point selection
|Focus modes||1. One-shot AF: shutter can only be released once focus made
2. AI servo AF: tracks subject movement until start of metering, includes predicitive focusing, shutter can be released at any time regardless of focus (predictive drive has priority in continuous shooting) indicator blinks if focus fails.
3. AI focus AF: automatically switches between One-shot AF and AI servo AF.
4. Manual focus
|AF-assist light||Built-in AF-assist light, used automatically when required (can be disabled through custom settings). Range: 3.8m (12.5ft)|
|Metering / White balance|
|Metering||1. Evaluative metering (35 area)
2. Center partial – spot (9.5% of viewable area)
3. Center-weighted average
|Metering range||2 EV to 20 EV (at room temperature with 50mm F1.4 lens at ISO 100)|
|Exposure modes||1. Program AE (flexible program)
2. Shutter speed priority
3. Aperture priority
4. Auto dept-of-field AE
5. Full Auto mode
6. Programmed AE (Portrait, Landscape, Macro, Sports, Night scene)
7. Full Manual mode
8. E-TTL auto-flash program
|Exposure compensation||1. Manual: +/- 2 EV in 1/2 EV or 1/3 EV steps
2. AEB (bracketing): +/- 2 EV in 1/2 EV or 1/3 EV steps
|AE Lock||1. Auto AE lock
2. Manual AE lock button
|White balance||Auto, 5 manual presets with fine tuning and manual white balance preset from previously shot image (white target).|
|Storage media||CompactFlash Type I or II (Microdrive compatible)|
|Image sizes||2,160 x 1,440
1,440 x 960
|Images on a 16MB CF||Large / Fine ~12
Large / Normal ~ 22
Small / Fine ~ 22
Small / Normal ~ 40
RAW ~ 4
|Recording formats||JPEG (Fine / Normal)
CCD RAW (12-bits per pixel – about 4 MB per image)
|Internal memory buffer||32MB (MegaBytes)|
|LCD / Viewfinder|
|LCD||1.8″ TFT, approx 114,000 pixels. 2 levels of brightness control|
|LCD usage||Review only (no live image preview)|
|Viewfinder||Eye-level with pentaprism|
|Viewfinder diopter||-3 to +1 adjustment|
|Viewfinder coverage||95% vertical and horizontal (0.88 x magnification)|
|Viewfinder information||Shutter Speed, Aperture Value, FEL indicator, AF/FE lock, focus point indicator, AF exposure compensation, flash exposure compensation, AEB level, elapsed time of red-eye reduction lamp, flash ready, high-speed sync, AF/MF indiciator|
|Depth-of-field preview||Single button press for preview (viewfinder)|
|Exposure / Shooting|
|Shutter||Vertical travel focal-plane shutter with all speeds controlled electronically|
|Shutter speed range||30 sec to 1/4000 sec & BULB.
X-sync at 1/200 sec
|Mirror||Quick-return half mirror (mirror blackout: none up to EF 600mm F4L IS USM lens)|
|Self-timer||Electronic, 10 second delay|
|Drive modes||1. Single shot
2. Continuous (approx 3 fps maximum of 8 images – Large/Fine, 17 images – Large/Normal)
|Internal Flash||Retractable E-TTL auto flash & pop-up flash, Guide 12/39 (at ISO 100 m/ft). Flash cycle time: approx 3 seconds, field coverage: up to 18mm. Flash output compensation: +/- 2 EV in 1/2 EV or 1/3 EV steps|
|Red-eye reduction||Built-in illumination type reduction|
|External flash||Compatible with E-TTL auto sync|
|Flash metering||Supports E-TTL, FEL and FP flash (high-speed synchro) with built-in flash and EX-series Speedlites|
|Playback modes||1. Single image
2. Index (thumbnails)
3. Enlarged (1 zoom level)
4. Auto playback
|Playback erase||1. Single image
2. All (except protected images)
|Battery / Power|
|Battery||Canon BP-511 7.4V 1100mAh Lithium-Ion rechargeable battery|
|Battery charge time||90 minutes (on supplied CA-PS400 charger)|
|Backup battery||CR2025 Lithium button battery|
|Remote control jack||N3 type|
|Communications / I/O|
(PC & Mac)
|Video out||NTSC / PAL|
|Dimensions||149.5 x 106.5 x 75 mm (5.89 x 4.19 x 3.0 “)|
|Weight||750 g (1.65 lb) (excluding battery pack, CF and backup battery)|
|Operating temperature||0oC to 40oC (32oF to 104oF)|
|Operating humidity||85% or lower|