The EOS-1D X Mark II is Canon’s latest flagship DSLR targeted at pro-level professional photographers. A quick glance exposes the electronic camera’s 1D series heritage, yet under the hood there are some exciting upgrades going on. The 1D X II is developed around a brand new 20.2 MP full-frame CMOS sensor, currently with Canon’s Twin Pixel autofocus system, consists of an increased 61-point autofocus system with 24% even more protection as well as a 360,000-pixel RGB+IR metering sensing unit, and also is among the very first Canon DSLRs (aside from the rather specific niche 1D C) that catches 4K video clip. Predictably, it’s likewise built like a block and carries out like a Formula 1 race auto.
The jump to 20MP (vs. the 1D X’s 18MP) yet this is a completely different sensing unit than any kind of located in Canon’s previous front runner models. The 1D X II is the first complete frame EOS DSLR to consist of Canon’s Twin Pixel autofocus system, an attribute we have actually applauded on other cams. In addition, Canon has moved to a style that uses on chip analog to digital conversion, which should cause enhanced vibrant variety of the sensor.
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- New 20.2 MP CMOS full-frame sensing unit with Twin Pixel autofocus
- 14 fps constant capturing (16 fps in online sight).
- 200+ fired buffer with Raw+ JPEG (CFast 2.0).
- 61-point AF system with 41 cross-type sensing units and 24% more coverage.
- 360,000-pixel RGB+IR metering sensing unit.
- Indigenous ISO from 100-51,200 (expanding to 50-409,600).
- 4K/60p video in DCI layout (4096 x 2160 pixels) utilizing Activity JPEG.
- 1.62 million dot LCD touch display.
- Flicker detection.
- CFast 2.0 card assistance.
- USB 3.0.
The 1D X Mark II is an electronic camera that any individual with previous 1D collection experience can possibly get, dial in their preferred settings, and also begin shooting right now though as we’ll see on the adhering to web pages, in doing so one may neglect innovations that Canon has made in this latest edition. There are a few minor tweaks to the body – all right in our point of view as well as it takes hardly any effort to adapt. This conservative method to design is a testament to the fact that the basic type variable functions well. It’s not a surprise that the designs of both the Canon 1D as well as Nixon Dx collection are quite comparable and also have not seen numerous changes to the standard style for many years.
Canon EOS 1D X Mark II Performance
The Canon EOS-1D X Mark II ably continues the tradition set forth by its 1D predecessors. Simply puts, this electronic camera is big and fast, with enough battery to quickly last you a day filled with 14 fps bursts shot with a viewfinder that has extremely brief power outage times. None of this is truly news, but it does talk with the ongoing relevance of bulky DSLRs for those that require straight-out performance, reliability and also resilience under any problems.
The 1D X II powers up instantaneously, and prepares to catch short lived moments any time. Shooting with a CFast card suggests long constant bursts if you need them, with the barrier cleaning unbelievably swiftly. But we’ll look much more extensive at that even more down the page. First, allow’s have a look at one of the 1DX II’s major celebration pieces – capturing at 14fps with a live view via the optical viewfinder.
There is a CFast-related caution, though. The 1D X II comes with dual-card layouts, suggesting that if you shoot overflow, or back-up, or send out JPEGs to one card and also Raws to the other, you’ll potentially be losing out on the most effective performance the video camera needs to supply. Also the marketplace’s fastest CF cards will decrease your create rates dramatically, and therefore your constant capturing efficiency noticeably.
2.High ISO Performance
Although the 1D-X II reveals significant increase in vibrant range at reduced ISOs in our dynamic variety examinations, high ISO Raw efficiency just sees tiny gains over its precursor, which is actually excellent thinking about the 1D-X II gains Dual Pixel style for decisive online view and video AF. Sound performance falls ever-so-slightly behind the Nikon D5 at very high ISOs, falling in-line more with stabilized results from the 42MP Sony a7R II. At these really high ISOs, JPEGs endure a little bit also, with the a7R II revealing the most information retention in grey tones as well as in low contrast greenery, regardless of all electronic cameras beginning with comparable detail in Raw. Sony’s brilliant honing as well as context-sensitive noise decrease assist it develop its lead, but the Nikon D5 isn’t also far behind. Canon’s sound decrease is, in comparison, less hostile total, yet smudges away reduced contrast information. While on the surface this might not seem a perfect mix, it’s a fair selection in the sense that it avoids noticeable noise decrease artifacts.
3.Real-world picture quality
The above photo is a great example of exposing for the highlights to lose as little of them as feasible, which will then enable you to pull up darkness in post. This specific image was increased 2.25 quits, highlights drew back down some, as well as darkness boosted up. This isn’t as severe an edit as some people could regularly do, but it’s an excellent practical example that shows that the 1D X II documents hold their own in spite of some pretty heavy pressing and drawing in Raw.
In the process of tweaking their sensor for reduced ISO performance, it appears as though Canon’s color processing has transformed really a little. Warmer tones as well as yellows in particular are just a little bit less abundant compared with the Nikon D5’s outcome, and also extremely somewhat less so than the 5D Mark III. As for just how this plays out in the real world? Well, there’s no rejecting that the 1D X Mark II still offers exceptional color performance, however I mostly located the auto white balance to skew my out-of-camera JPEGs toward the trendy side.
At first blush, the Canon EOS-1D X Mark II seems a purpose-built sports-shooting device, like the Nikon D5. But as we have actually seen, Canon has substantially upped the vibrant array efficiency of the sensor in this electronic camera, which, for some individuals, will make it a far better all-rounder than the Nikon.
4.Raw Dynamic Variety
The 1D X Mark II represents a jump onward for Canon: the transfer to a design using on-chip analog-to-digital conversion makes sure much less sound is included prior to the signal is converted into electronic values, implying it’s less complicated to distinguish between caught info and history noise. Consequently, this indicates more malleable Raw documents with more useful information readily available when you aim to process them. Like the EOS 80D there’s a huge enhancement in the cam’s vibrant array.
However do not forget – in order to help you better dial the video camera in for your particular capturing situation, you’ll should pay some attention to the autofocus area modes (AF Factor Selection in Canon vernacular) too.
Canon provides six presets of the AF system’s 3 fine-tuning criteria. Hold the ‘info’ switch, and you’ll see that each pre-programmed has a description of the sort of activity it’s developed to cover. It’s a valuable aid in order to help get you near the ideal autofocus setup for your certain capturing scenario.
Regardless of the (at first) discouraging intricacy of the arrangement system, it’s a technique that makes a lot of feeling – 3 variables with several setups, each of which can have quite a significant effect on your hit price. Regrettably, that amounts to 75 feasible mixes, which we’ve seen could be hard to get ideal and simple to get incorrect without a level of guidance – more strengthening the usefulness of the 6 case presets.
6.AF Factor Expansion
Both the individual guidebook and integrated autofocus overview on the 1D X II recommend ‘Case 4’ as a starting factor for a football suit. Certainly, the camera classifies ‘Situation 4’ as being ‘for topics that increase or slow down swiftly,’ yet with the caveat that it’s not best for topics relocating at a continuous speed. The camera additionally recommends readjusting ‘Accel./ Decel. tracking’ to +2 (rather than the default +1) if the AF system cannot keep up. This makes sense football players have the tendency to move unpredictably, so the AF system should be receptive enough that if a subject quits or all of a sudden steps, focus is upgraded properly. Enhancing the ‘Accel./ Decel. tracking’ setting does exactly this.
Our first sample video includes a series of clips shot in 4K/60p at the National Bison Range in the state of Montana. We did some very minor color grading and exposure adjustments, but for the most part what you see is straight out of camera. (Apologies for the slight image shake – this was shot handheld between 300mm and 400mm.)
See More Another Canon Camera News Below :
- 2017 Canon EOS 5D Mark IV Specifications And Fitures Review
- 2016 Canon 5D Mark III Performance, Design, Features and Specifications Review
- 2017 Canon EOS 77D Features And Specifications Reviews
Canon 1D X Mark II Specifications
|MSRP||$5999 (body only)|
|Body type||Large SLR|
|Body material||Magnesium alloy|
|Max resolution||5472 x 3648|
|Other resolutions||4368 x 2912, 3648 x 2432, 2736 x 1824|
|Image ratio w:h||3:2|
|Effective pixels||20 megapixels|
|Sensor photo detectors||22 megapixels|
|Sensor size||Full frame (36 x 24 mm)|
|Processor||Dual DIGIC 6+|
|Color space||sRGB, Adobe RGB|
|Color filter array||Primary color filter|
|ISO||Auto, 100-51200 (expands to 50-409600)|
|Boosted ISO (minimum)||50|
|Boosted ISO (maximum)||409600|
|White balance presets||6|
|Custom white balance||Yes (5 slots)|
|Optics & Focus|
|Number of focus points||61|
|Lens mount||Canon EF|
|Focal length multiplier||1×|
|Screen / viewfinder|
|Touch screen||Yes (for AF point selection only)|
|Screen type||TFT LCD|
|Viewfinder type||Optical (pentaprism)|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/8000 sec|
|External flash||Yes (via hot shoe or flash sync)|
|Flash X sync speed||1/250 sec|
|Continuous drive||16.0 fps|
|Exposure compensation||±5 (at 1/3 EV, 1/2 EV steps)|
|AE Bracketing||±3 (3 frames at 1/3 EV, 1/2 EV steps)|
|Resolutions||4096 x 2160 (60p, 30p, 25p, 24p, 23.98p), 1920 x 1080 (120p, 60p, 50p, 25p, 24p, 23.98p)|
|Format||MPEG-4, H.264, Motion JPEG|
|Storage included||CompactFlash + CFast 2.0|
|USB||USB 3.0 (5 GBit/sec)|
|Wireless notes||requires WFT-E8|
|Battery description||LP-E19 lithium-ion battery & charger|
|Battery Life (CIPA)||1210|
|Weight (inc. batteries)||1530 g (3.37 lb / 53.97 oz)|
|Dimensions||158 x 168 x 83 mm (6.22 x 6.61 x 3.27″)|
|GPS notes||with e-compass|